The sun made a guest appearance today (it's been very cloudy recently) so I managed to take a photo of "Andes" that shows the colours properly. There will probably be 12 borders of white "teeth" in all, and I'm going to frame this section (shoulders, side panels and sleeves) with the greyish brown used in the split bottom border.
Let me tell you it's quite satisfying looking at all the dangling ends in the middle of the steek to the right knowing I won't have to weave in a single one of them!
In a comment on my previous post Ing-Marie i Säter asked me if the small project was a sleeve or a swatch. It was a swatch, partly to test gauge but mainly to try different ways to combine my colours. (Photo of the original version here.) These are my thought behind my colour choices:
1. My stash: 7 skeins of greyish brown, 3 natural white and 1 warm brown means lots of greyish brown for the frame, side panels and sleeves; leftover colours concentrated to the back and front centres.
2. Natural white used in all the borders for stability and to combine the other colours with (they all look good next to it) - and simply because I have quite a lot of it.
3. Two shades of brown (cool greyish and warm yellowish) alternating for variation.
4. Two purl ridges in differerent colours below each brown section. Yellow and orange looked nice with warm brown, and light brown and dark brownish green looked nice with cool brown.
5. Colour sequence alternating for variation: yellow-orange, brown-green, orange-yellow, green-brown...
There are many good challenges involved in this project. Apart from testing different ways to use the colours and trying a new way to construct a sweater, it's good to practise getting even tension when stranded colourwork and plain stocking stitch is combined.