Thursday, 24 July 2014

Back to brioche


In case you're wondering, my yarn diet is over - quite successfully, I might add. (But I did manage not to buy any yarn for more than four months!) My most recent (not true, come to think of it) addition to my stash was more than 2 kilos of wool a woman I got in touch with wanted to get rid of, since she knew she wasn't likely to use if after some 20 years. Eight hanks of blue and green Vålberg wool from Wålstedts, for example. How could I not come to the rescue? Sometimes it's easy to be a gentleman!

garter attempts

The tricky thing was deciding how to use it. The wool is unevenly spun (on purpose) which made me decide not to use stocking stitch. Garter stitch worked well, but I was only happy with some of my swatches and they didn't feel comfortable enough but a bit too stiff. Time to try dear, old brioche - I think I was inspired by your positive comments on my brioche cowl. Thank you!


This is what I wanted: it's thick but soft in a way garter stitch isn't. Also, I'm fond of stripes, and like the way there are both horizontal colour stripes and vertical structure stripes. However, brioche is such a voracious technique, I wasn't sure there would be enough - and it would be difficult if not impossible to get more. Fortunately, there was enough: I have about 7 meters left...



Varför garnbanta när man kan komma över vackert garn från Wålstedts? Åtta hekto av detta vackra blågröna garn räckte precis till en patentstickad tröja. Gissa om det har varit varmt i knät! Jag har känt mig som en riktig masochist när jag har provat den vartefter för att kolla storleken. Den sitter riktigt bra, men jag kan inte med bästa vilja säga att det är skönt att ha den på. Inte för att jag längtar efter kyla, tvärtom! 

Det är sällan jag faller för flerfärgade garner, men det här kunde jag inte låta bli och jag tycker att det blev lyckat med kombinationen av ränder: färgränder på bredden och strukturränder på höjden. Garnet är ojämnt spunnet, så jag ville inte slätsticka med det även om just det ojämna är en del av charmen med det. Rätstickning funkade bra i och med att det drar ihop ihop sig, och färgskiftningarna gjorde sig bra i den tekniken, men det blev väl kompakt. Patentstickning blir förstås också tjockt, men det är samtidigt luftigt och betydligt mjukare.




Sunday, 6 July 2014

A preview



How I wish I could take photos like this! India Hobson was the photographer and the location apparently was Walcot Hall. It's for Knit Generation, a collection of patterns which will be published by Quail. And you may have guessed it: this cowl is my contribution. It has been a truly exciting process from sending them my suggestion for a pattern - simply being asked to do so was exciting enough - to being sent these photos (with permission to use them) some nine months later. I was also pleased to learn that they not only liked my design but also my choice of colours. Not that you can get it terribly wrong with Rowan Felted Tweed...




Seriously, I do think colours are tricky. In my new twined project I stick to blue and grey. This looks like a toothless grin, but is actually Twined Attempts 1 and 2. I love Greek key patterns and wanted it for the neckband, but it felt too thick. Also, I decided to use grey instead of white for a softer look. I'm keeping the neckband, though. Not to wear it, but for reference!



I höstas blev jag tillfrågad om jag ville lämna in ett förslag till ett bidrag till en samling stickmönster. Visst ville jag det! Det fanns vissa restriktioner, som val av garn och mängd och ett tema det skulle passa ihop med, men det gjorde det ju faktiskt betydligt enklare att komma på något. Till min stora förtjusning blev min patentstickade fuskpolo vald, och sedan hade jag fullt upp med mönsterskrivning och korrekturstickning. Ungefär nio månader (symboliken känns övertydlig) efter den första kontakten (låter bibliskt i sammanhanget) har jag nu fått se fotona de har tagit. Troligen kommer boken (häftet?) ut till hösten.

Avslutningsvis lite skamlös reklam för två kurser jag ser fram emot att hålla:


Tuesday, 24 June 2014

An apology

The other day I went through spam comments to see if there were any real ones among them - I already knew I don't very often, but had no idea I was that bad at it! I found five kind comments, a couple of them several months old, which is really embarrassing. Barb, Rachelle, KnitNigel, Johanne and Marika: I'm sorry it took me so long to see and publish your comments. Thanks for writing!

I'm in the middle of two new projects. First, a baby blanket for a relative of mine, who recently gave birth to a boy. I had some balls of  Rowan milk cotton dk in my stash, a free gift (or was it a lottery prize? not that it really matters) from Tummelisa at a knitting event last year.



The bunny pattern is by Stacylynn Cottle on Ravelry. I've changed the shape of her blanket design, knitting it diagonally for two reasons. First, I don't feel like calculating how many stitches to cast on to get a size and shape that looks ok with the amount of yarn I have. (It has since been discontinued, so it would be difficult to get hold of more if needed.)  Starting in a corner and increasing until there is at least half the amount of yarn left like the easiest thing to do: then I can be certain there is enough to knit the second half using decreases instead. The shape might become a bit strange for a blanket (square-ish?) but then the baby isn't likely to mind. Second, I simply prefer knitting things when there is some shaping involved.

My other favourite work in progress is an attempt to recreate an 18th century sweater at Nordiska museet, not an exact copy of it (when it was new, that is - but isn't it in good shape considering how old it is?) but something that looks authentic enough. It's a surprise for a member of an 18th century group. She's a hard-working mother of four, so she isn't likely to have much time to read blogs and discover it here... And even if she does, I guess it will still be a surprise but in a different way.



I'm making each border of carnations slightly different on purpose. And occasional carnations different by accident! Normally, I correct mistakes I discover, but in this case some irregularities seem like a good thing.



Friday, 6 June 2014

Getting it right

I always find it rather tricky getting good photos of my finished projects (works in progress are often easier as they're smaller), especially shawls. Here are some photos of the shawl I finished late last night, each with advantages and disadvantages. (The shawl is for my friend Barbro. I'm seeing her on Monday - perhaps she will be my model. After all, knits look best when worn.)

On the ground: it doesn't lie flat, but the green background is nice and the pretty flowers go well with the lace pattern.
Daisy shawl

On a wall: the trellis made it easier to arrange the shawl, but it shows through. Perhaps it doesn't matter that much; it matches the lace grid. I love the honeysuckle to the left!

Trellis shawl

On a gate: the background is a bit of a mess, but I could get most of the shawl in the photo.





I'm happy with how the centre point turned out - see previous post.

As mentioned above, I finished it last night. I had returned home after an unforgettable concert with L'Arpeggiata, which opened this year's Stockholm Early Music Festival; I was so high on the music that I might as well stay up a couple of hours to knit the last rows, cast off, wash and block the shawl and think about the concert. They were all superb, but I was especially captivated by Vincenzo Capezzuto's singing.

Wednesday, 4 June 2014

Luxury

Thanks for your comments about my future job at HV! I've spent a few days twining and stitching like mad (even compared to my normal standards - whatever normal is) during a fabulous course at Dala-Floda Värdshus. Imagine the thrill I got not only looking at but also touching and examining

mitts from the 19th century:


and heaps (literally!) of jackets with twined sleeves from the same period:

not to mention getting to spend time with both old and new knitter friends.

After this orgy my mind is full of twined ideas, so I'm knitting lace patterns while I try to make my mind up where to start. This shawl is the same pattern as the white one in my previous post, but with two changes: it consists of two triangles instead of three, and there is a column with flowers in the middle.

My intention was to cast off here, but there is quite a lot of yarn (Viva from Wetterhoff) left, so I'm going to keep knitting for a few more rows to make a nice frame for the last flower.



Monday, 26 May 2014

A dream come true

Handarbetets Vänner
Teaching knitting at HV has been my secret dream for a few years, but there's no point in keeping it a secret anymore: I will be teaching twined knitting here seven weekends starting in September! Actually, I got the news in early April, but have been too excited to dare believe it's really going to happen, let alone write a post. I enjoy teaching all sorts of techniques, but nothing quite like twined knitting, so it's difficult to express what an honour and a privilege this is. My standard twined workshop for beginners is some 7 hours long - and now there are no less than 80 delightful hours to fill in all, so I'm happily planning and swatching.

In a comment on my previous post Carolina asked whether I was dyeing something in the pot. No, just washing the shawl before blocking it. (Dyeing wool would be fun, but I'd worry about ruining the wool.) Here's what the shawl looks like when it's worn; Karin (who owns Litet nystan) was kind enough to be my model.

Landing or taking off?






Friday, 16 May 2014

The chef

Would you believe it, there's an article about my knitting in a Japanese knitting magazine! Not that I know for certain it's really about my knitting; I'll have to ask one of my Japanese knitter friends to read the text and tell me what it says. Well, it's hardly about cooking or exercising.

Speaking of cooking, here's a kitchen situation where I feel completely comfortable and in control:
Basic recipe:
  • Cook gently in lukewarm water. 
  • Stir, don't shake.
  • Don't rinse before but several times after it's done.


Ta-da! And not a single calorie to burn.





Monday, 21 April 2014

Happy Easter!

Monsieur & Madame

A certain sign that spring is really here is that our feathered neighbours are allowed to roam the gardens freely.

I'm experimenting with a top-down cardigan using two strands of yarn. One is a wool-cotton blend and the other one is silk. This combination of fibres should make a nice summer cardigan!



The colour is so dark (darker than in the photos) I thought there wouldn't be much point in knitting lots of patterns, but a far better idea to bring out the beauty of the fibres with a lot of stocking stitch. Moss-stitch panels makes it more fun to knit, and the slightly elastic effect is an advantage if I don't get the size exactly right. Knitting it top-down is also a way to make it more interesting and challenging to knit.

Napoleon




Monday, 14 April 2014

Alba cardigan finished again

Some three months ago I finished my "Alba" cardigan - and after finding the right hooks and eyes for it the other day I finished it again yesterday by sewing them in place. I love the drop shape!





Then I remembered Margaret Atwood's poem that we read when I studied English years ago. The way it shifts and all the things it implies still makes me shudder and smile at the same time!


You fit into me
like a hook into an eye

a fish hook
an open eye


 Here's my finished twined hat - and I'm happy to say it's too warm to wear it:

Hamlet, the twined version


 
Man kan ju aldrig vara säker så här års, men jag hoppas slippa slita på koftan och mössan. Koftan går förstås att ha i stället för jacka, men yllemössa betackar jag mig för. Nej, så här års tycker jag att det är mer lockande att sticka tunna spetssjalar. Inte för att jag bär dem själv, men det roliga är att sticka. Om en dryg månad (helgen 17-18 maj) kommer jag förresten att hålla kurs i just spetsmönster och sjalformer på Ekerö. Här finns mer information om du är intresserad.



Wednesday, 9 April 2014

Spring Onion hat (Vårlöksmössa)


Thanks for your comments on my twined hat - in particular, Sandra's comment made me smile! I finished it today, but right now it's too dark to get a good photo of it. At least I've got a photo I took a few days ago, which shows the pattern after the increases.



I wanted something in the style of Greek key patterns, which I always liked. The lines, colours, and shape suddenly made me think of slicing an onion, so I might rename it Spring Onion. In Swedish it's a pun as vårlök - "spring onion" - is the spring flower Gagea lutea. The English name apparently is Yellow Star-of-Bethlehem, which is rather far from this hat...

Sunday, 23 March 2014

Twined spring hat

Twined hat in progress by Asplund
Twined hat in progress, a photo by Asplund on Flickr.

Winter returned after my previous post, but I hope it won't be too long before it's possible to knit in the garden again. In the meantime I'm trying to create some spring feeling indoors instead. This wool (Visjö from Östergötlands ullspinneri) works really well with the twined knitting technique.

Wednesday, 12 March 2014

A nice place for knitting

A nice place for knitting by Asplund
A nice place for knitting, a photo by Asplund on Flickr.
How wonderful it is to be able to sit outdoors knitting!

I've made some sleeve progress, so the pattern I described in my previous post (small squares and circles) is easier to see.


Äntligen går det att sitta ute och sticka - och sämre sällskap än snödroppar och krokus kan man ha! Det vankas mer av kombinationen blommor och stickning i maj: helgen 17-18/5 kommer jag att hålla kurs i spetsstickning på Ekerö. Läs mer här om du är intresserad!

 
opposite sides

Sunday, 9 March 2014

Double-knitted jacket: sleeve pattern

In my previous post there is a photo of my first attempt at sleeves: simple squares a fourth in size compared to the big squares.

A good idea in theory, but in practice it didn't quite work. With fewer crossings of the two strands the sleeve quickly looked rather bubbly; what's more, it dawned on me the effect might actually be striped sleeves with all the crossings arranged in vertical columns. (Something like extremely long, rectangular bubbles.)

So, I decided to keep the squares but fill them with circles and tiny squares to rhyme with the main pattern. An advantage is that the two sides will look different! I chose light squares on a dark background on this side like the body.

I thought of doing it the opposite way but then I decided there were enough mirror effects going on already.

Thursday, 6 March 2014

In a finishing mood

Camel cardigan by Asplund
Camel cardigan, a photo by Asplund on Flickr.
I'm in a finishing mood, to the extent that I've even sewn seven buttons. (I appreciate Gwen Raverat's words "sewing was downright wicked slavery" in her adorable book Period Piece. A Cambridge Childhood.) The brioche cardigan had actually been finished for more than a week before I got around to it, even though I'd already found the perfect buttons... They're made of marble and I think they look fabulous with the wool. Their size was exactly right for the buttonholes too!

Some time ago I wrote a post about the shoulder straps: here's how they turned out:


I've finished the Monk no 2 sweater as well. Not that Marianne Isager's name "Monk" is very suitable anymore as I didn't keep the hood.




Also, I've made up my mind about the collar for my double-knitted jacket/cardigan. I've tried various ideas: I wanted something different from the main pattern and tried both triangles and stripes but wasn't satisfied. Then I suddenly thought I'd keep the small squares but use them into lego-like brick shapes. Of all the things I love about knitting, I think I like solving difficulties best.


Sunday, 2 March 2014

Monk no 2: collar

Monk no 2: collar by Asplund
Monk no 2: collar, a photo by Asplund on Flickr.
Here's a project (based on Marianne Isager's The Monk) recently excavated from my Basket of Uncertainties. It's been there for more than a year after I realized my collar idea wouldn't work: the neck opening is neither deep nor wide enough for the kind of overlapping shawl collar I had in mind.

original idea


I didn't want to pick up stitches to knit the sleeves in case I'd decide to rip and reknit the front, and that's where I left it. Well, it's funny how a simple solutiona can take more than a year: I'll fold it in half instead. No overlapping, but it looks fine and the opening is big enough - and there will be no ripping or reknitting.

solution - I hope

Teaching twined knitting is a great way to spend a Sunday! At one point they all looked so serious concentrating on mastering the technique that I couldn't help joking with them, saying a photo of them right then wouldn't attract many people to my workshops - which made one of the participants say yes, they probably looked like Judge Robert Rosenberg!